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LG: Alejandro, alchemy and anarchy are constant themes in your work.

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How do they translate into your everyday life? AJ: Alchemy is the materialization of the spirit, as it is also the spiritualization of matter, which is to say, the unification of that which the mind tells us to see as separated. We believe ourselves to be an island separate from reality, an individual self joined to reality by narrow and fragile bridges.

We have rulers and cages and false gods, which are walls of prejudice. Locked within this prejudice our minds become negative, black, rotten. Alchemy allows us to transform this vulgar matter into gold, that is to say into pure consciousness. LG: Do you both actively use psychomagic?

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What has your most powerful experience been? PMJ: I am extremely privileged because I live with Alejandro, so I see him searching, working, studying and finding each day another way of knowledge. This is fascinating, and of course I learn a lot from all that. Living with him is my most powerful experience. Jodorowsky moved to Mexico in where he revolutionized the artistic scene, creating avant-garde theatre in particular.

As a result, Jodorowsky became known in the United States and the rest of the world as a celebrated cult filmmaker. In , he returned to France and embarked on the film adaptation of Frank Herbert's Dune.

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We as a culture have been told and taught to limit ourselves: that we will die, that our life is therefore limited. So why not start limiting ourselves here and now, and not go further? That is what signifies a life spent in the Absolute. Car Pascale est avant tout peintre. Les peintures de Pascale ne nous disent rien.

Pascale Montandon Jodorowsky. Fake News by Daniel Pinchbeck. Rick Owens by Olivier Zahm. Sex Fashion by Jack Pierson.

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Homage to Chris Marker by Ed Templeton. Vanessa Beecroft by Olivier Zahm. Sex Fashion by Casper Sejersen. Sex Fashion By Sandy Kim. Alan Vega by Jerome Sans. Chikashi Suzuki by Hajime Sawatari.